Happy Friday everyone, this week Chris (and Chris) and I teamed up to play the opening Allegro from Mozart’s Divertimento No. 1 for two clarinets and bassoon.
Katie Legere bassoon and Chris Alfano clarinets 1 and 2 #FormalFridays #KSOMusiciansAtHome
all your musical wishes granted!
Happy Friday everyone, this week Chris (and Chris) and I teamed up to play the opening Allegro from Mozart’s Divertimento No. 1 for two clarinets and bassoon.
Katie Legere bassoon and Chris Alfano clarinets 1 and 2 #FormalFridays #KSOMusiciansAtHome
This is to all of the Dads out there! For this week’s Formal Friday we are playing O mio babbino caro for you. We hope you have a wonderful Father’s Day!
Chris Alfano clarinet and Katie Legere bassoon #FormalFridays #KSOMusiciansAtHome
My latest video project before taking a week off to renovate the studio, was an arrangement of Teddy Bear’s Picnic for four bassoons!

Katie Legere #KSOMusiciansAtHome
Happy Formal Friday everyone – this week we go ‘way back’ to bring you “Fascination” – a tune by Bill Hansen and F.D. Marchetti to get you up and waltzing.
Katie Legere bassoon and Chris Alfano clarinet. #FormalFridays, #KSOMusiciansAtHome
We began working on this week’s piece two weeks ago – before George Floyd was brutally murdered by a police officer in the US and, while we try to stay apolitical, these events can not and should not be ignored.
We believe that racism in any form is unacceptable and, although we will never really experience the systemic discrimination that minorities face every day, we can be thoughtful of how our actions contribute and try to make that contribution positive.
We thought hard about performing Gershwin’s Summertime – an opera about black men and women written by white people but decided to go ahead with the following caveat.
Porgy and Bess has been called the first great American opera, set in a black American community and performed by black artists. The themes expressed in the opera are human themes. Indeed Gershwin’s aim was to create a unique folk opera to be performed only by black actors and Ira Gershwin, George’s brother and collaborative lyricist, made it a stipulation of all productions around the world that the cast is always overwhelmingly black. In doing this, it allowed opera to move away from an art form overwhelmingly white.
Summertime, from the opera, is doubtless one of the one most popular songs in the Great American Songbook and, we hope you will enjoy it and understand that in our hearts it is our offering of a positive contribution.